Letters from the Ground Zero

â€Å"Letters from the Ground Zero† is an article about the awfulness of September 11 in New York City which was startling and extraordinary yet at the same time occurred without trying to hide and got everybody everywhere throughout the world uninformed and for somebody who lived six traffic lights from the World Trade Center when the demonstrations of psychological warfare occurred in the American soil like Jonathan Schell, the writer of this exposition, it is one remarkable second in his life to observe such pulverization in your nation and your compatriots. Schell described and showed what he had deplorably experienced firsthand that day and as per him, â€Å"My explicit neighborhood was disregarded and mutilated.â As I compose these words, the bitter, damp, rank stinkâ€it is the smell of deathâ€of the as yet smoking site is in my nostrils.† The event of such an assault could have been forestalled if each government’s watchfulness was expanded and smugness was not heightened.â â â It will consistently be a superior alternative for all nations to be cautious, to avoid potential risk and do what they can to pulverize such devilish manifestations. In the hour of advancement of such complex weapons of mass pulverization, it is never unimaginable any longer for a particular piece of the globe to turn into the following ground zero. As Schell told, â€Å"We have known this mentally, yet now we know it instinctively, as a queasiness in the pit of the stomach that is probably not going to go away.† The writer had the option to give a tribute to the disaster since he lived close to the ground zero and who preferred to describe it over somebody like him.â What the exposition attempts to give is for individuals to see that something must be done to prevent this from happening again to each one’s country and ensure the comrades. The creator viably described what can be seen on the TV simultaneously the roads of New York directly after what happened like how individuals helped each other in any capacity they can and in what capacity numerous brave deeds rose after such successive demonstrations of fear happened in the United States of America.â The creator said â€Å"the encompassing structures were crushed yet at the same time standing and looked down eyelessly on their pummeled brethren†. He was additionally ready to observe how courageous people attempted to gradually and calmly work in finding the individuals under the various heaps of rubbles in ground zero which made it hard for the salvage tasks to get the same number of individuals out of the site alive yet their perseverance some way or another gave him the consolation. In spite of all these the American individuals transcended the pulverization and decimation considerably after such huge numbers of lives of individuals, workers, fire fighters, police officers and rescuers were lost.â America has really taken in an enormous exercise in a generally horrendous, horrifying and sad way. The paper gives the peruser a brief look at the climate of the border close to ground zero, following the World Trade Center was struck.â It makes the peruser see what it took and how much fortitude and quality it took for individuals whose nearness was truly there when it occurred. Everybody should attempt to move and make a move on how these assaults can be forestalled in the nation known to be generally amazing in this world. Works Cited Schell, Jonathan. â€Å"Letters from the Ground Zero.† Connelly, Mark. The Sundance Reader, Fourth Edition. Boston, Massachussetts: Thomas Wadsworth, 2006. 119-120.  Â

Different Rather Complicated Games Assignment Example | Topics and Well Written Essays - 750 words

Distinctive Rather Complicated Games - Assignment Example That was the point at which he began to configuration rounds of a similar sort at the time of about 13.â The essayist gravely accepts that the sort of reasoning he was doing was the consequence of the computer games and sitcoms that were mainstream at his time. The writer’s significant contention here is that today’s mainstream society doesn't influence the people, actually, it is the other route round. Mainstream society is the consequence of the framework. The essayist proceeds to state that he doesn’t accept that today’s mainstream society make it to the section of perfect works of art however it surely has more profundity and importance than it seems to have. The author accepts the sleeper bend to be the most significant power that is influencing mental improvement in this age. He trusts it to upgrade thinking and improved conduct in individuals from the general public instead of the inverse. The contradicting position to this contention is that the mainstream society upgraded by the prominence of computer games knows no limits. The sex, viciousness, and obscenity not simply give out a negative picture of the general public in general, it undermines it. Journalist Suzanne Fields puts it best; it is dishonorable to consider what number of individuals are presented to the most noticeably awful characteristics inside their general public. The limits of satisfactory lead have become cloudy since individuals trust it is alright for them to act as per what the mainstream society is demonstrating them. The writer’s significant contention is that media doesn’t degenerate society, it is an aftereffect of the adulterated society. The mainstream society as computer games is an impression of this present reality, the world that isn’t the so glad and safe spot individuals need it depicted like. The creator likewise says that it isn't the substance of the mainstream society that issues yet one needs to take a gander at t he positive manner of thinking it is liable for. The essayist proceeds to recognize the advantages of ordinary learning structures, for example, books conceding that they are the best vehicle of adapting yet contends that computer games can give similar advantages. The main issue individuals have with them is that they came later on. In the event that computer games were the regular type of learning and books were presented after them, individuals would have a similar response to books. He says that individuals are only impervious to change and adjusting to modes like TV and computer games as learning sources it simply an issue of being better acclimatized with them. Computer games benefits are basically not constrained to all the more likely hand and eye coordination, it offers substantially more. By and large, video gaming is an increasingly powerful type of learning for it is all the more captivating, intuitive and by and large all the more persevering. It bundles learning with t he component of fun conveying exercises without exhausting individuals. Indeed, numerous when people are not playing, they are contemplating how to beat a specific hindrance in the game. In that capacity, computer games energize and encourage individual just as mental turn of events. The author of the book seems to be fair. Genuine he has extremely solid convictions about the mainstream society particularly computer games trusting them to be a positive driver of the general public. Nonetheless, it can't be disregarded that the essayist recognizes the other perspective and gives it due thought.

Marxism Essays (2036 words) - Economic Ideologies, Anti-capitalism

Marxism Essays (2036 words) - Economic Ideologies, Anti-private enterprise Marxism I. Presentation II. Marxism A. Definition and Explanation B. Model: Economic Evolution III. Asset Mobilization Theory (RMT) A. Definition and Explanation B. Model: The Parliament versus the Crown IV. Institutional Theory A. Definition and Explanation B. Model: Social Change V. End Human connections have consistently been dynamic. Change and flexibility have gone inseparably with the progression of time for human society. Frameworks have been created to manage, direct and control the assets of this general public. The frameworks are alluded to as governments and the assets as the people or occupants and powers of creation. An administration must be dynamic in its tendency mirroring the change in the public eye. Now and again these frameworks have opposed the need to adjust with its segments (Society) making a shortfall between the framework and those it manages. As the deficiencies create, they cause unsteadiness, and could prompt revolution.1 Hypotheses have been created to clarify the foundational marvel called upset. This paper will talk about three present day hypotheses and apply them to the English upset of 1640. The main hypothesis, created via Carl Marx (Marxism), will address the monetary advancement in English society. This hypothesis will stress and clarify how the move from a medieval/trade framework to free enterprise influenced English society. The second, called the Resource Mobilization Theory (RMT) created by Charles Tilly, will clarify how the English associations (the Crown and the Parliament) viably got, amassed and oversaw assets. Samuel Huntington's, Institutional Theory, will contend that the existing government around then couldn't consolidate the requests furthermore, work force that the financial changes made. Marxism was detailed in the nineteenth century. Carl Marx and his partner Frederick Engels watched the financial changes that were coming to pass in Britain. Britain was the prevailing politically influential nation and had the biggest industrialized economy during the 1800's. The turn of events of the industrial facility and the foundation of the sequential construction system made an enormous interest for laborers. This interest was satisfied by moving laborer from the rustic zones in England and Ireland to creating urban focuses. As these urban focuses or urban areas advanced utilizing industry as the monetary spine for the populace, an enormous number of assembly line laborers were amassed to work the apparatus in terrible conditions. These laborers, which would be named as the lower class under a medieval framework, were presently the common laborers or low class. They entered urban communities with any desires for bettering their lives and endurance. In spite of the fact that upheaval never occurred in England during this period, it permitted Marx to examine industrialization, urbanization and dominion. The hypothesis of Marxism has three essential ideas: notable realism, powers of creation and relations of creation. Notable realism is characterized as a general public's past exhibition and present abilities of fulfilling the fundamental methods forever. Mankind's essential requirements of eating, drinking and haven should be met appropriately. The powers of creation (innovation, capital, the framework of society, and so on.) are significant for the basic reality of who ever controls them controls the general public. The last part of Marxism, the relations of creation, manages the connections between classes of individuals (the privileged, the white collar class and the working class).2 Marxism incorporates a prescient examination of financial structures. Utilizing history, rationale and the dynamic idea of mankind as rules, Carl Marx endeavors to outline a succession of occasions which will in the end lead to ideal world (insurgency). In his work, Das Capital, Marx subtleties the six stages. These means are crude communism, feudalism, free enterprise, communism, socialism and afterward insurgency. The advancement of the English monetary framework during the sixteenth and seventeenth hundreds of years focuses to a move from feudalism to free enterprise. This move is exemplified by the walled in areas. The proprietors started to fence their property in the regular land territories. The hall were enormous plots of touching and farmable terrains that were utilized by the two ranchers and craftsmans. At the point when the land-proprietors and manorial rulers started to parcel these grounds the idea of private responsibility for was presented to the financial system.3 During the timespan of the sixteenth and seventeenth hundreds of years the crown's monetary base started a steady decay. This monetary shrinkage went to an initiate during the rule of Charles I. The government supported an imposing business model market framework over a serious one. The reason for this

Rhetorical Analysis of Crash the movie Essay -- essays research papers

It's the feeling of touch. In any genuine city, you walk, you know? You brush past individuals, individuals chance upon you. In L.A., no one contacts you. We're constantly behind this metal and glass. I think we miss that touch so a lot, that we collide with one another, to make sure we can feel something. - Graham from the Motion Picture Crash (2005) This statement alludes to the assorted variety in Los Angeles and how individuals set up close to home boundaries and are reluctant to confide in others. Crash is a film that truly gets individuals to take a gander at their own biases and to the underlying foundations of their ethical quality by indicating the concealed bigotry and partialities that are available in our general public and even in ourselves today. On the off chance that this film were to be summed up in one sentence, one may state that regardless of what your identity is, everyone holds previously established inclinations and generalizations against others. For instance, in this film, a high society white lady sees two dark men so she sticks to her better half, demonstrating she is frightened of them. Despite the fact that this lady had no clue what their identity was, she despite everything hopped to an end that they were going to hurt her as a result of the shade of their skin. This film happens in Los Angeles and is about racial clashes inside a gathering of individuals which happen in a progression of occasions. Since there are a wide assortment of characters in this film, it very well may be befuddling to the watcher. In the plot, Graham is an African-American investigator whose more youthful sibling is a lawbreaker. His mom thinks more about his sibling than Graham and she needs Graham to bring his sibling back home, which thus harms Graham. Graham?s accomplice Ria is a Hispanic lady who comes to find that her and Graham?s ethnicities struggle when she engaged in sexual relations with him. Rick is the Los Angeles head prosecutor who is additionally operation... ...reason for the contention, as the retailer proceeds with the contention with various generalizations and supremacist comments in regards to Farhad?s race. We crash continually. We collide with the way of life and lives of those that encompass us in our general public. We judge since we don't have the foggiest idea or reluctant to comprehend the distinctions that encompass us. The executive needs the crowd to make an uncalled for judgment on Officer Ryan due to he improperly look Christine, be that as it may, as the film advances our decisions crashes as we relate to Officer Ryan. When Graham states ?We are constantly behind metal and glass,? it isn't the metal and glass we are behind, yet the dread of understanding and confiding in somebody that is not the same as us. This dread is the place our assumptions and bigot propensities originate from. It is the dread of believing that wherein can make us crash.

The Profession of Silas Marner Weaver or Nothing - Literature Essay Samples

Whether it be a businessman or a chef, writer or teacher, one’s profession often reveals insight into a person and immediately creates a stereotype for an individual. While some jobs hold prestigious standing in societal stereotypes, others may wrongly detract from someone’s image on a basis in no way connected to the real person. In George Eliot’s novel Silas Marner, the namesake character holds the profession of weaver, which holds a sort of mystery to others. The ideas of what a weaver is like and how weaving is intermixed throughout literature and one’s own life story are prevalent themes throughout the novel. Thus, the importance of Eliot’s choosing Silas to be a weaver instead of another profession reveals complex, hidden undertones. While much of Silas Marner’s life is mystery to the residents of Raveloe, he remains a common topic of discussion and lore due to his line of work as a weaver. The life of a weaver, full of travel and isolation, was often accompanied by lore created by the people of the town said weaver was currently residing in. Such a reaction is detailed in describing that â€Å"the shepherd dog barked fiercely when one of these alien-looking men appeared†¦the shepherd himself, though he had good reason to believe that the bag held nothing but flaxen thread, was not quite sure that this trade of weaving, indispensable though it was, could be carried on entirely without the help of the Evil One† (Eliot 1). Weavers were viewed as aliens no matter what town they were in. Despite near certainty that they were simply carrying material for their important job in society, men such as Silas Marner were still viewed as outcasts and friends of the Evil One. Silas was an outcast from the time he first wove, thus forcing him into isolation he would likely never escape from. Herein lies the importance of Eliot creating Silas as a weaver, he undoubtedly be comes an outcast no matter his character. Silas Marner isn’t Silas Marner and cannot fulfill his story without beginning in isolation, surrounded by skepticism. Silas could hold any number of professions that incur stereotypes upon him, but the importance of weaving lies in the social undertones of isolation and societal rejection. However, Silas being a weaver is not an irrelevant fact, it becomes his entire life to the point that â€Å"He seemed to weave, like the spider, from pure impulse, without reflection. Every mans work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life† (Eliot 14). Silas is not a man who weaves, his entire existence is found in his job, thus allowing him to completely fulfill his occupational title and its stereotype and advance his life story. While Silas Marner’s weaving is necessary to his life, his occupation also reveals the undertones of classical literature woven in throughout the novel. The Fates of Greek mythology controlled the metaphorical thread of life for every human from birth until death, the cutting of the thread. Fate oft en holds a negative connotation due to the sense of futility and weakness it brings to one’s life. Silas acknowledges that his own life is not his to control when he acknowledges â€Å"a cruel power that no hands could reach, which had delighted in making him a second time desolate†¦Ã¢â‚¬  (Eliot 42). Silas recognizes the hand of fate in his life, and also in doing so attributes a negative connotation to the word in his description of fate as cruel, unrestricted, and delighted in his pain. The Fates use of thread to represent life is a subtle connection to Silas as a weaver. Thus, a connection is created which will aid in shaping Silas’ life, as fate has a great part in his life despite his own animosity towards fate. Eliot makes another reference to fate when he states â€Å"When we are treated well, we naturally begin to think that we are not altogether unmeritorious, and that it is only just we should treat ourselves well, and not mar our own good fortune† (Eliot 121). This adds to the idea that nobody controls their own life and that good fortune wrongly encourages reward. This is another allusion to fate and the Greek Fates controlling life. Thus, Silas being a weaver creates the connection between the idea of a single thread uncontrollable by human hands representing life, and idea Silas initially despises. The final way in which Silas Marner’s job is important to the central idea of the story is in how his seemingly rough life is united by m ultiple events that are eventually woven together to not only create his own life story but to unite him with Raveloe. These events are all catalysts for some change that will eventually shape who Silas becomes, but the events are all connected in that they stem from Silas’ job as a weaver. The community from which he was long an outcast ends as his welcoming home, a development brought about by a series of principal events. The drawing of lots sends Silas to Raveloe and the the stolen gold takes away any semblance of happiness Silas had, but the single most important event in his life is Eppie coming to him. When defending his right to keep Eppie, Silas states that â€Å"When a man turns a blessing from his door, it falls to them as take it in† (Eliot 171). This is an acknowledgment on the part of Silas that Eppie is a blessing that came to him, a blessing that will ultimately change his life for the better. Yet again, Silas’ isolation as a weaver and fate have a great impact on his life in the form of bringing Eppie into his life, the single most life changing event he experiences. The circumstance of Eppie’s adoption eventually unites Silas with the community he was long excluded from. The culmination of Silas’ life is â€Å"the garden fenced with stones on two sides, but in front there was an open fence, through which the flowers shone with answering gladness, as the four united people came within sight of them. ‘Oh Father’ said Eppie. ‘what a pretty home ours is! I think nobody could be happier than we are.’† (Eliot 183). Both the traumatic and the happy events, all caused by a profession, woven together create the life of Silas Marner. Silas may be a weaver accosted by fate, but he is truly a blessed man who fate rewards in the end despite his former adversity. Silas Marner is a living stereotype who experiences intense joy eventually due to a combination of fate and intertwined catalytic events. Life is a series of events leading to a single culmination, but the life of Silas Marner is special in that none of it would be possible if he simply had a different job. Silas is a weaver, but his life story is a woven masterpiece. A simple weaver, outcast by society, endures numerous hardships for which fate is blamed. However, every event is woven together by Eliot to create a life story worthy of celebration. There is literary importance to Silas’ profession as without it Silas Marner is simply another citizen of Raveloe.

Media Cultural Imperialism

Evaluate the claims made by authors arguing that media ownership and concentration lead to cultural imperialism with specific reference to a media text(s) of your choice. Do you agree? 1/9 Media concentration and its impact on the effective citizen cultural participation has always been an important matter in both our past and modern society. Many authors argue that media ownership and concentration leads to cultural imperialism. To evaluate these claims we first need to define, with reference to several media texts, what the common terms of cultural imperialism, and media ownership and concentration generally refer to. Using multiple sources, more than refering to one specific media text, will help us to build a omniscient and objective knowledge about the subject. Throughout the years, these terms taking into account todays increasing wide range of media and ways of communicating have evolved significantly in both their value and connotation, leading towards a critical point for our contemporary society and the ones to come. After explaining the meaning of cultural imperialism, we will then take a look at what media ownership and concentration stands for in our modern world and how it leads to cultural imperialism. Cultural imperialism Many authors sociologists, anthropologists, and philosophers tend to explain, in the most accurate way, these two symbolic terms without any strong conviction in the end. For John Tomlinson this expression does not have a particularly long history. In the 1960s cultural Imperialism became a part of the general intellectual currency a generic concept: It (cultural imperialism) brings together two words which are themselves extremely complex and problematic, in an attempt to provide a covering concept for a very broad range of issues (Tomlinson, 2002: 3).To make it easier we shall divide these two terms and attentively study the definition of culture and the definition of imperialism independently, ultimately arriving at a better understanding of the importance in defining this expression. In Oxford Dictionary the word cultural is defined as: an improvement or refinement of mind, manners, etc., by education and training; condition of being thus trained and refined; particular form or type of intellectual development or civilization (Shorter Oxford Dictionary, 2007: 261). Despite that the word culture is still one of the three most complicated words in the English language, by the nineteenth century the British anthropologist E.B. Tylor (1874: 185) provided probably the most popular definition of culture: 2/9 Culture is that complex whole which includes knowledge, belief, art, law, custom and any other capabilities and habits acquired by man as a member of society. Imperialism is, itself, defined as the policy, practice, or advocacy of extending the power and dominion of a nation especially by direct territorial acquisitions or by gaining indirect control over the political or economic life of other areas; broadly: the extension or imposition of power, authority, or influence. Historically, imperialism is defined through the economic system (and its reference to colonial rules) and the political system, in which appears the Marxist analysis of stages, the modern capitalism and the fight between the American and Soviet Union (Williams, 1958). Commonly associated with the policy of direct extension of sovereignty and dominion over non-contiguous and often distant overseas territories, it also denotes indirect political or economic control of powerful states over weaker peoples. Regarded also as a doctrine based on the use of deliberate force, imperialism has been subject to moral censure by its critics, and thus the term is frequently used in international propaganda as a pejorative for expansionist and aggressive foreign policy (Wesseling, 2004: 7226-7232). If we now jointly consider these two definitions, we then nearly approach the following definition by Martin Barker and Julian Petley (2001: 22): It seems to mean that the process of imperialist control is aided and abetted by importing supportive forms of culture. Let us now examine a clear and direct example of cultural imperialism by Robert Cecil (1971: 6). In his folio about cultural imperialism, he essentially focuses on the impact of the colonisations across the world. For him this is the beginning of pure and simple cultural imperialism. If we have a look for instance at some meetings of The United Nations Educational, Scientific and Cultural Organization, known as Unesco, when the French-speaking Africans and English-speaking Africans stand up to make a speech to the assembly, you can obviously distinguish characteristics of French and British culture. Respectively, French-speaking Africans speak in rather an silver-tongued, logical way; while the English-speaking Africans tend to be more blunt, empirical and, occasionally, even humorous. Which methods are used to convert a nation under cultural domination? The leading method is language. 3/9 As an example, if you compel somebody, throughout an educational system or as a means of economic concern, to speak your language, to some extent you are imposing your pattern of thought on them. A French sociologist, Pierre Bourdieu, in an interview (Paris, 1996) communicated the following: Only knowledge of language enables the influence of the culture expressed by that language to be fully effective and to reach the soul of another people. We can also find this cultural panel in advertising campaigns, such as McDonalds, Pepsi, Durex or Ford. Fords advertising, like the others cited above, adapts itself to cultural differences between the many countries in which the brand is available. The American ads are generally bringing back the classic American way of life, using old gangster movie patch-work as background references. Asian ads for Ford feature a fantastic, cartoon-ish style. While the UK ads are usually matching with the English humour style: short, direct, colorful and relevant. If we then sum up all those different approaches of the expression we can see that cultural imperialism is, finally,spreading and exalting habits and values; a practice in which diferent economic powers play a big part. It is with this link to economic power that the media ownership and concentration now interferes. Media ownership and concentration To explain the meaning of media ownership and concentration, we need to think about the natural tendency of capitalistic economic systems linking to oligopoly or monopoly. Media concentration is defined as an increase in the presence of one (monopoly) or a few media companies (oligopoly) in any market as result of acquisitions and mergers or the disappearance of competitors (Meier Trappel, 2004: Chap. 4). Indeed, Indeed, the world is basically ruled and owned by mainstream media conglomerates. In the late 90s, there were nine corporations (mainly from the U.S.) that dominated the media world called the Big Ones. 4/9 According to an article from The Nation, the Big Ones never totally changed. The top ten media companies around early 2002 were AOL, Time Warner, Disney, General Electric (quote in the article as a media company), Sony, News Corporation, Liberty Media, Vivendi, AT T, Viacom, Vivendi and Bertelsmann (Robert W. McChesney, The Nation Magazine :1999) However, as Mark Crispin Miller points out (2007) companies may come and go. I chose to use the reference of mainstream media conglomerates ruling the world because these corporations, even if they seem to refer to media corporations, they share members of the board of directors (also known as the process of interlocking directorates) within a large panel of big companies, including each important economic devise such as Oil Companies, Pharmaceutical and Health car companies, Banks and technology companies. All of these companies are followed by many other Second tiers companies that each earn billions dollars of business. For example, ABC/Disney, among other corporations, owns FedEx, Boeing, City National Bank, Starwood Hotels Resorts; CBS/Viacom owns Dell, American Express, Akamai Technologies, Lafarge Corp, Amazon.com, etc. We are living to serve advertisers purposes. Cest notre raison dtre claims the CBS C.E.O.. This capitalist economical process ruled by the constant need of power is very frequently seen as a problem for contemporary media and society. Media ownership of concentration and cultural imperialism So, how is this media ownership and concentration leading to cultural imperialism? The situation of an healthy and fair democracy is when choice is given to all. In other words, is when media impacts on the market by offering a wide range of ideas, information and types of culture. It is well-known that radion, newspapers, television and, mor recently, internet form a part of everyday life that democracy finds and uses as a way of expression in general media circles. What if, however, this circle is altered by economic ownership, competition and profit? There may be some media etablishment preaching the diversity, but it would only be on a external look. The worry is that so many agencies are often held by one giant only: Defenders of narrowing control of the media point, accurately enough, to the large numbers of media outlets available to the population: almost 1,700 daily papers, more than 8,000 weeklies, 10,000 radio and television stations, 5/9 11,000 magazines, 2,500 book publishers and more Unfortunately, the large numbers deepen the problem of excessively concentrated control. If the number of outlets is growing and the number of owners declining, then each owner controls even more formidable communications power (https://www.globalissues.org, 2007; Bagdikian, 2000: 222). In terms of quality of the information reported, the media concentration makes it totally subjective (through the eyes of a few men pulling strings). While concurrential competition can be a good aspect for news reporting and media in general to push for a better quality, the concentrated control of media companies (oligolpoly) and its very special competition has reduced media under cheap popular information through crude sensationalism rather than quality, detailed reporting etc. This type of competition clearly affects the journalisms ability to spread quality news and alters the gap of theorical and professional journalism. But those decisions are firstly made because society and people change. Readers and viewers care 5more about scandals, celebrities affairs and local news (check the emergence and success of tabloids and magazines like Hello, OK, Star, and the Sun, which are also basically owned by the same man: Rupert Murdoch). Therefore, according to Fair.org website: Newspaper editors and television news executives have reduced the space and time devoted to foreign news coverage by 80% to 60% during the past 15 to 20 years (https://www.fair.org, 2009). In terms of political aspect, there is hardly any obvious or revealed strategy adopted by governments. Of course they need to stick the law and human rights on the top of the list, but if we have a closer look over media ownership and their relation to the politics, we can find mutual gainful links (such as censorship, subtle truth distortion etc.). Although for now, let us take the example of Berlusconi. In this case, Berlusconi, with the help of the media and their stinginess, efficiently controlled the governments and populations mind. With his own media (and with the journalists he co-opted with money) he controlled the parliament, the public opinion 1and the state bureaucracy in order to change the realistic substance of his judiciary charges, which could lock him and his subordinates to jail. By controlling the media, controlling peoples minds, spreading opinions and influencing decisions has never been so simple! Concerning diversity and homogeneity of media content, it is known that media organizations try to cover all audiences and public. 6/9 They cant afford to provide worldwide information and decline it to more than thousands culture. Thus they use omnibus media. Transporting everything for everybody. It, then, reduces the diversity of opinions and commentary for common purposes. To widely sum up: one idea for all, which then involves a sort of imperialism since no other choice is given. Furthermore, the fact that international and national news is passed on by only a few preponderant global news agencies, and that the national and local news is delivered by only one agency makes the journalistic sources of news coverage very limited in scope. However, there is no empirical or scientific evidence that editorial quality has declined under monopoly conditions according to Werner A. Meier and Joseph Trappel (2004: chapter 4). Most of the media companies listed above are American, thus talking about cultural imperialism consequently implies to especially focus on the American media supremacy. You can travel to the most reclusive village and you will be able to satisfy your craving for a Big Mac, entertain yourself by watching a Hollywood blockbuster in your comfy Nike shoes. This proliferation of American products across the globe is more than mere accident. As a by product of globalization, it is part of a larger trend in the conscious dissemination of American attitudes and values that is often referred to as cultural imperialism Galeota, 2007: 1). Also, if we take cinema production as an alternative example: a few years ago, the youth of the world had a choice between Chinas history review by way of Walt Disneys Mulan, and the Old Testament recreated by Stephen Spielbergs The Prince of Egypt still coming from American media productions. Foreign history and legends painted with the American background colors! At the same time, foreign productions crossing the U.S. borders are also submitted to an Americanization on the scenario and screen production. Tenk no shiro Rapyuta (Castle in the sky) is the 1986s animated film by Hayao Miyazaki. The Japenese version includes traditional and minimalist soundtracks by Joe Hisaishi. The european exported version includes the same sountrack and original dialogues with subtitles; while the American edition changes the music, dialogues and deletes scenes. After this incident, Ghibli Studios (Hayao Miyazaki production) refuses to export their films within the U.S. borders. But if America triumphs on screen in the vanguard, it must also triumph through the universal message of Hollywood a message of individual voluntarism, easily transferable (and easily ingestible) to all peoples of the planet. 7/9 Conclusion Here we tend to explain the origins and, through many sources of modern cultural imperialism, the composition of media ownership and concentration. After reading many articles, views, and claims about these different subjects, it was clear and obvious to realize their common interaction. The increasing globalization of media activities across the industry of media during the past ten years has made media ownership and concentration a fundamental socio-political, cultural and economical phenomenon. This media concentration clearly leads to a cultural imperialism interacting all over the world. Moreover, media concentration reduces the sources and information given to the reader/spectator. But on the other hand, we also have to consider another aspect of the problem: the basic psychological behaviour of our society. Historically a leader has always been at the forefront of society. Whether religious, monarchical, political or cultural the presence of leadership brought security and direction to the people (Montesquieu, 1748). Whether right or wrong, the views of the leader were adopted by the people often leading to cultural unrest and misguidance. The safety needs of the people, as Maslow claimed manifests itself in the choice and preference for leadership. In many ways the role of the leader has been adopted by the media giants who express their views to a widespread audience of followers. From the famous Thomas Hobbes (1660) claim Man is a wolf for other men (or commonly translated as Dog eat Dog), we became a society of loup et moutons (wolf and sheep). The population is now known for following ideas and opinions like sheep, and ingurgitates the information without questioning it (check the French INPI Campaign, 2001). Like a Sheppard herding sheep, the media giants (the Sheppard) can control and manipulate views of the people (the sheep) without the true facts being presented. So, whose fault is it if we talk about cultural imperialism? The media giants spreading the exact ideas and opinions without the foresight for a true and objective opinion or the people who blindly believe the opinions forced upon them? 2633 words 8/9 Works Cited Barker, Martin, and Julian Petley. Ill effects: the media/violence debate. Vol. 2. Routledge, 2001. Print. Bourdieu, Pierre. Sur la Tlvision. Dailymotion. 28 Nov. 2006. Web. 28 July 2009. Bourdieu, Cambridge 2005, The journalistic field, ed. Polity Car Ford Company. Advertisement. Pubstv.com. 2008. Web. 28 July 2009. www. pubstv.com/video/publicites-1-1090/Ford-7.html. Fair.org. Interlocking Dictatorates. Fair. 2009. Web. 28 July 2009. www.fair.org. Galeota, Julia. Cultural Imperialism: An American Tradition. The Humanist. 2004. Web. 2009. https://www.thehumanist.org/humanist/articles/essay3mayjune04.pdf. Meier, Werner A., and Joseph Trappel. Media Concentration and the Public Interest. Media Policy, convergence, concentration and commerce. Euromedia research group ed. Denis Mc Quail and Karen Siune, 2004. Print. Miller, Mark Crispin. Mark Crispin Miller, January 7, 2002, What?s Wrong With This Picture?, The Nation. The Nation 7 Jan. 2002. Global Issues. Web. 28 July 2009. www.globalissues.org. Tenk? no shiro. Dir. Hayao Miyazaki. Ghibli studio, 2001. DVD. Tomlinson, John. Cultural Imperialism: a critical introduction. 2002. Print. Tylor, Edward B. Primitive culture: researches into the development of mythology, philosophy, religion, language, art and customs. H. Holt and Company, 1874. Print. Wesseling, H. L. History of Imperialism. The International Encyclopedia of the Social Behavioral Sciences Neil J. Smelser Paul B. Baltes (2004). Print. Williams, Raymond. Culture and Society. London: Chatto and Windus, 1958. Print. Robert Cecil C.M.G., M.A., 1971, Cultural Imperialism, ed. The Institute for Cultural Research Robert McChesney, 1999, Rich Media Poor Democracy, University of Illinois Press Ben H. Bagdikian, 2000, The Media Monopoly, Sixth Edition, ed. Beacon Press Montesquieu, 1748, De lesprit des lois Thomas Hobbes, 1660, Le lviathan Doyle Gilliam, London 2002, Media ownership: the economics and politics of convergence in the UK and European media, ed. Sage Ronald V. Bettig Jeanne Lynn Hall, 2003, Big Media, Big Money: cultural texts and political economics, published by Rowman Littlefield Publishers, INC. The Real Thing. The Coca-Cola Company, Atlanta Ga. WXYZ-TV, Yourtown, AZ. 5 Dec. 2008 Meenakshi Gigi Durham and Douglas Kellner, 2006, Media and cultural studies: keyworks, Published by Wiley-Blackwell 9/9

Personal Statement On Self Awareness - 1312 Words

Introduction: What does it mean to be self-aware? In simple terms, it is the ability to know who you are. Although self-awareness seems like a simple practice, it can be extremely difficult due to the way we perceive ourselves. We perceive ourselves as something we are not, usually influencing our self-awareness with the bias of who we think we are in terms of who we want to be. The key to self-awareness is removing bias from the equation and making a truthful evaluation of who we are. This includes actually being aware of how we live, think, and act. In Consideration of my self-awareness, I consider myself to be moderately self-aware. As a person, I am relatively confident in evaluating and analyzing the way I live, however, what comes as†¦show more content†¦As a person with a strong desire to achieve, I rely heavily on organization. I systematically plan my life and usually have a plan or solution for every problem or opportunity I face. In addition, I live to succeed and excel. 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